This stellar collection of essays, edited by Godfrey Baldacchino, fills a gap in recent literature on song and its connection to island life...Island Songs is well organized, diverse, and thought-provoking. As part of the AIRS Project (Advancing Interdisciplinary Research in Singing), the cumulative effect of these essays clearly demonstrates how song and music serve not only as important subjects in themselves, but also shed light on many other fields of enquiry, including ethnomusicology, anthropology, and history.

Island Studies Journal

This edited volume brings ethnomusicologists, sociologists, anthropologists, cultural studies specialists, and geographers into conversation with practising artists and dedicated island studies scholars to examine songs and singing on selected islands around the world. Geographies range from the English, French and Spanish Caribbean, to Cape Breton and Newfoundland, the Hebrides and Jersey, Fiji, Chiloé, Sicily, Papua New Guinea, Ibiza and Gotland, with other islands mentioned along the way. This volume is ambitious in its broad approach to both the study of songs and singing, as well as its engagement with the theory of Island Studies in itself….offers coherent case studies, which each grapple with the array of island songs.

Cultural Geographies

Sprinkled among the macro observations in Island Songs are sparkling gems of detailed insight that capture the reader's imagination and linger in the memory.... As the contemporary proliferation of island music festivals around the globe confirms, modern fascination with islands persists, often fueled by persistent and simplistic stereotypes of exotic people living in isolation in a fossilized past. In Island Songs: A Global Repertoire, Baldacchino and colleagues provide an antidote to such views. This engaging collection of serious studies illustrates the contemporary relevance of island life and shows how often island songs speak not only for those who create them but also for us.

Journal of Historical Research in Music Education

In Island Songs: A Global Repertoire, edited by Baldacchino, the writers aim to 'provide a global review of how island songs, their lyrics and their singers engage with the challenges of modernity, migration, and social change—uncovering common patterns despite the diversity and local character of their subjects.' . . . .Several of the chapters stood out in terms of clarity of writing and richness of content. Owe Ronström’s 'Gotland: Where ‘Folk Culture’ and ’Island’ Overlap' eloquently describes how there are very few traditional songs with concrete details about the island or island conditions . . . .[T]his is an outstanding collection of case studies that chronicles the ways in which song is essential to many island communities globally. It will be useful to readers in a range of fields including ethnomusicology, area studies, anthropology and folklore, as well as anyone investigating contemporary culture themes.

MUSICultures

The authors' variety of experience and qualifications allow this welcome and timely book to investigate broadly what the act of singing tries to express and achieve, what cultural, emotional and psychological effects it has on performers and audiences, and how those beneficial effects might be translated into social policy. This study of what singing is and does and can do is a valuable addition to any university music or ethnomusicology programme.

Richard M. Moyle, Centre for Pacific Studies, University of Auckland

Island Songs takes the reader on a musical journey across the seas to discover the rich and complex connections between songs, singing and island cultures. Bringing together a diverse range of case studies from Ibiza to Fiji, Sicily to Newfoundland, the edited book explores the ways Islander singers negotiate the local and the global, traditional and contemporary, and identity and place through song. It provides a significant and exciting contribution to understanding the power of song in Islander communities across the world.

Katelyn Barney, University of Queensland