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Pre-order. Available 13 May 2027
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Description

Utilising a diverse array of scholarly and artistic voices, this book develops a critical methodology of nomadic theatricality through the documentation and analysis of a range of contemporary theatre practices.

Nomadic Performance Making charts a map of contemporary theatrical nomadism that engages in the process as a dramaturgical device for making performance. Thematic chapters include a scholarly contextual introduction together with a range of case studies by artists critically reflecting on their devising process, performance practice and experience. By exploring these examples, It draws connections between established and lesser-known artists across international contexts, whilst presenting academic and creative reflections on the physical investment of traversing and being embedded in new territories as an integral element of the devising process

By being nomadic researchers, the artists discussed in this book consider ways in which an immersion in new territories creates new affordances for the performing body to reframe and challenge narratives through 'present' political agency. Often searching to understand complex identities, inherited histories or political agendas, these creative archaeologists actively mine for new insights and ways to share findings through performance practices. In precarious times from the current war driven devastations of Ukraine, Gaza and beyond, the innumerable refugee crises that ensue, to environmental breakdown and political fissures from Brexit to far-right global populism; this timely volume provides insights into how artists engage with notions of borders, displacement and environment through a displacement of their own bodies and experiences.

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Table of Contents

List of Illustrations
List of Contributors

Introduction, Mark Crossley (De Montfort University, UK), Rosie Garton (De Montfort University, UK) and Ildiko Rippel (University of Worcester, UK)

1. Diaspora, Displacement and Ancestry, Marjan Moosavi (University of Maryland, USA)
2. Risks, Freedom and Sensationalism, Diana Martin (Royal Central School of Speech and Drama, UK)
3. Environmental Consciousness and Sustainability, Jonathan Pitches (University of Leeds, UK)
4. Landscape, Mapping and Liminal Spaces, Claire Hind (York St John University, UK)
5. Borders, Boundaries and Trespassing, Yana Meerson (University of Ottawa, Canada)
Conclusion

Notes
Bibliography
Index

Product details

Explore Methuen Drama
Published 13 May 2027
Format Ebook (Epub & Mobi)
Edition 1st
Pages 288
ISBN 9781350501584
Imprint Methuen Drama
Illustrations 14 bw illus
Series Methuen Drama Agitations: Text, Politics and Performances
Publisher Bloomsbury Publishing

About the contributors

Series Editor

Anja Hartl

Anja Hartl is Assistant Professor at the Departmen…

Series Editor

William C. Boles

William C. Boles holds the Hugh F. and Jeannette G…

Anthology Editor

Rosie Garton

Rosie Garton is Associate Professor and Head of Dr…

Anthology Editor

Ildikó Rippel

Ildikó Rippell is Lecturer and Course Leader for t…

Anthology Editor

Mark Crossley

Mark Crossley is a Senior Lecturer in Performing A…

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