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Description
American Film and the Culture Wars: Battleground in the Trump Era is an exploration of the relationship between American cinema and what many have referred to as the “Trump era,” the “Trump age,” or even the “Trump phenomenon.”
This book contends that American cinema offers an insight into this fractious period and emerged as one of the primary battlegrounds on which a war of interpretation was fought, a frontline in what many refer to as the “culture wars.” This resulted in a body of films which should not be regarded as disposable entertainment, but rather as visceral cultural artefacts which reflect, engage with, and have even been able to influence the tumultuous period in a range of palpable ways. Films discussed include: Sound of Freedom (2023), Top Gun: Maverick (2022), Get Out (2017), Superman (2025), Sicario: Day of the Soldado (2018), 13 Hours: The Secret Soldiers of Benghazi (2016), and The Hunt (2020), among many others.
Across six theoretically informed but accessible chapters, McSweeney interrogates how American film emerged as a striking manifestation of the political and historical moment in which they were formed: engaging with a broad tapestry of social movements (Black Lives Matter [2013-], Me Too [2017-], and Times Up [2018-]); genres (superhero, horror, action, science fiction film); and key issues, debates, and events (gun control, abortion, religion), revealing that it is still the cinematic medium which provides a frame of reference for how we understand and comprehend the world, as much as, if not more than, it has ever done.
Accessibility Information
Additional accessibility information
- PDF/UA-2, 1.4
- accessibility@bloomsbury.com
Hazards
The publication contains no hazards
Support for non-visual reading
Has alternative text descriptions for images
Navigation
- Page list to go to pages from the print source version
- Elements such as headings, tables, etc for structured navigation
- All or substantially all textual matter is arranged in a single logical reading order
Table of Contents
Acknowledgements
Introduction: Contemporary American Film as Cultural Battleground
1. A Cinema of the Deplorables?
2. Cinema of the MeToo and Times Up Era (3522)
3. African American Film in the Era of Black Lives Matter
4. Tales from the Border: Drugs, Crime, Rapists and “Some, I Assume, Are Good People”
5. “THE LONE WARRIOR!”: The Fears and Fantasies of an Action Hero Presidency
6. “America Needs a Superhero”: The Conflicted Fantasylands of the Superhero Film in the Donald Trump Era
Conclusion: Battlegrounds: “What Kind Of American Are You?”
Works Cited
Filmography
Index
Product details
| Published | 20 Aug 2026 |
|---|---|
| Format | Ebook (PDF) |
| Edition | 1st |
| Pages | 424 |
| ISBN | 9798765140772 |
| Imprint | Bloomsbury Academic |
| Illustrations | 75 bw illus |
| Publisher | Bloomsbury Publishing |
About the contributors
Reviews
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30 years from now, this book could be an important and remarkably detailed snapshot of this cultural moment, a record of the mess and the way film has played a role in this era.
Andrew Schopp, Professor of English, Nassau Community College, USA
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This book makes a significant contribution to how the discourses, rhetoric, and legislation generated by the Trump presidency impacted film. There are few other books on Trump-era cinema that examine film in the way that McSweeney does, making this book timely and innovative.
Frances Pheasant-Kelly, Reader in Film and Screen Studies, University of Wolverhampton, UK
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McSweeney's book and his astute critical analysis make an important contribution to the field of research that explores how American film and television has engaged with the presidencies of Donald Trump and the surrounding culture.
Karen McNally, editor of American Television during a Television Presidency (2022), UK
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This is an excellent book. Aspects of the films discussed sit seamlessly with appreciations of Donald Trump, his presidency, and the wildly divergent and controversial social fabric he's created in America during the 2010s and '20s. McSweeney's tremendous achievement is to be able to mirror and match those two aspects, the political and cinematic, while working in multi- and interdisciplinary ways to show how cinema works as a reflection of society's feats and foibles. Overall, Battleground is a terrific and important intervention into contemporary film studies.
Ian Scott, Professor of American Film and History, University of Manchester, UK
























