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- The Anatomy of Fashion
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Description
Clothes take the ordinary human body and fashion it into something remarkable. Born to the same anatomical legacy, each generation has used garments to shape itself in the image of its own desires.
Taking different body parts in turn, The Anatomy of Fashion invites us to view ourselves as we have been in the past. Arguing that analysis needs to aspire to the proliferation and playfulness of fashion itself, Susan Vincent explores different bodily presentations and examines their wider, and often surprising, implications.
In its provocative conclusion, this authoritative text turns its attention to dress practices today. Reassembling the anatomical parts, the text places the contemporary body in the historical view and reveals the strangeness that lies at the heart of our own normality.
Accessibility Information
Additional accessibility information
- PDF/UA-2, 1.4
- accessibility@bloomsbury.com
Hazards
The publication contains no hazards
Support for non-visual reading
Has alternative text descriptions for images
Navigation
- Page list to go to pages from the print source version
- Elements such as headings, tables, etc for structured navigation
- All or substantially all textual matter is arranged in a single logical reading order
Table of Contents
List of Illustrations
List of Abbreviations
Prologue: Approaching the Past
1. Head and Neck
2. Breasts and Waist
3. Hips and Bottom
4.Genitals and Legs
5. Skin
Epilogue: Fashioning the Body Today
Afterword to this re-issue
Further reading for this re-issue
Bibliography
Index
Product details
| Published | 23 Feb 2027 |
|---|---|
| Format | Ebook (PDF) |
| Edition | 1st |
| Pages | 336 |
| ISBN | 9781350564978 |
| Imprint | Bloomsbury Visual Arts |
| Illustrations | 50 bw illus. |
| Series | Foundations of Fashion Studies |
| Publisher | Bloomsbury Publishing |
About the contributors
Reviews
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While we will never be able to answer 'the why' of past fashions, this scholarly yet accessible book goes a long way towards answering many questions about the lived experience of what might appear to us today as bizarre and uncomfortable forms of clothing. Towering wigs, stifling ruffs, tightly laced corsets, prominent codpieces and fire-hazard inducing crinolines all come under scrutiny through the testimony of their long-lost wearers to help us understand their normality within the contemporary context of fashion and identity.
Cally Blackman, Lecturer, Central St Martins, UAL, UK

























