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Bhadralok Masculinities in Rituparno Ghosh’s Cinema
Between Tradition and Transgression
Bhadralok Masculinities in Rituparno Ghosh’s Cinema
Between Tradition and Transgression
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Description
Grounded in a theoretical framework of masculinity studies, this book examines the films of Rituparno Ghosh and offers a novel analysis of the portrayal of men in cinema. Through Ghosh's work, this book investigates the depiction of men, masculinities, and their intersections with the institutions of class, caste, state, media, age, and family dynamics. The authors examine contemporary performances of bhadralok masculinity in select cinematic texts through the theoretical frameworks of salaryman masculinity, gendered spaces of the 1990s neoliberal Kolkata, fatherhood, and masculine ideas of aging and disability. With careful analysis, this book challenges the monolithic ideas of masculine identity in cinema and challenges the film industry to modernize its portrayal of men.
Accessibility Information
Additional accessibility information
- PDF/UA-2, 1.4
- accessibility@bloomsbury.com
Hazards
The publication contains no hazards
Support for non-visual reading
Has alternative text descriptions for images
Navigation
- Page list to go to pages from the print source version
- Elements such as headings, tables, etc for structured navigation
- All or substantially all textual matter is arranged in a single logical reading order
Table of Contents
Chapter 2. What Happened to the Bhadralok? Reading Continuity and Change in the Bhadralok Ideology and Masculinity in Unishe April and Dahan
Chapter 3. Navigating the Interplay of Masculinity and Fatherhood in Rituparno Ghosh's Chitrangada: The Crowning Wish
Chapter 4. Reimagining the Later Years: Investigating the Intersections of Masculinity and Age in Rituparno Ghosh's The Last Lear and Abohomaan
Chapter 5. Conclusion
Product details
| Published | 04 Feb 2027 |
|---|---|
| Format | Ebook (PDF) |
| Edition | 1st |
| Pages | 176 |
| ISBN | 9798216351894 |
| Imprint | Bloomsbury Academic |
| Publisher | Bloomsbury Publishing |
About the contributors
Reviews
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“Bhadralok Masculinities is a stimulating intervention into masculinities studies, pushing the field to global dimensions that critically nuance any discussion of the impact of gendered positioning.”
Malcah Effron, Massachusetts Institute of Technology
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"An indispensable read for scholars of South Asian cinema and gender, this book is a rigorous examination of the friction between bygone masculine ideals and contemporary performance and is essential for understanding the profound challenges faced when enacting these historical ideas of masculinity in an altered socio-cultural context."
Smriti Srivastava, Daman and Diu Government College, India
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"This book discusses the socio-temporal construction of 'bhadrolok masculinity' as men shuffle between their urge to control and assert themselves on one hand and their inner vulnerabilities on the other. The conceptualisation of 'bhadrolok masculinity' is indeed an immensely powerful contribution, as the authors posit it as a performative act informed by matrices of heterogeneous historical and cultural forces. This book is a must read by scholars interested in masculinity, film, and media studies."
Payel Pal, LNM Institute of Information Technology, Jaipur
























