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Description
This book explores the history of Los Angeles cinema and the complex relationship that American film has had with its host city throughout history.
It is impossible to talk about the City of Angels without talking about its movie business. The history of American cinema is so intertwined with Los Angeles that the term “Hollywood” is used interchangeably with “American film” worldwide. From the early 20th-century migration of film pioneers from the East Coast to the emergence of local subcultures and global genres, John Trafton traces how the city has been imagined by insiders and outsiders alike.
Key case studies include the L.A. Rebellion School, disaster cinema, and the intersections of independent cinema with the music scene and VHS culture. The book culminates in an exploration of Los Angeles neorealist cinema – a form that centers marginalized voices and challenges the myth of Hollywood glamour.
Accessibility Information
Additional accessibility information
- PDF/UA-2, 1.4
- accessibility@bloomsbury.com
Hazards
The publication contains no hazards
Support for non-visual reading
Has alternative text descriptions for images
Navigation
- Page list to go to pages from the print source version
- Elements such as headings, tables, etc for structured navigation
- All or substantially all textual matter is arranged in a single logical reading order
Table of Contents
Acknowledgements
Introduction
1. The Legend
2. Noir
3. White Flight
4. A New Hollywood Rises
5. The L.A. Rebellion
6. Fabulous Disasters
7. Punk
8. We Called It "El Barrio"
9. The Los Angeles Auteur: 90s Cinema
Notes
Bibliography
Index
Product details
| Published | 20 Aug 2026 |
|---|---|
| Format | Ebook (PDF) |
| Edition | 1st |
| Pages | 320 |
| ISBN | 9798765120651 |
| Imprint | Bloomsbury Academic |
| Illustrations | 31 bw illus |
| Publisher | Bloomsbury Publishing |
About the contributors
Reviews
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A companion piece of sorts to the author's earlier Movie-Made Los Angeles, John Trafton's Los Angeles and Film charts the multi-dimensional nature of the city's reciprocal relationship with the industry that has defined it in the public imagination. Studying both films and what he terms “cinema-adjacent art forms,” including architecture and fine art, but also popular music and theme parks, Trafton deepens our appreciation of how a history of Los Angeles on film can also serve as a sociocultural study of American cinema in all of its diversity, from noir to the L.A. Rebellion, from disaster films to Chicano Cinema.
Charlie Keil, Professor, Cinema Studies Institute and Department of History, University of Toronto, Canada
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To see the radial energies of Los Angeles and film through the multi focal lens that John Trafton brings into play is like looking into a historical kaleidoscope. Trafton's brilliant analysis illuminates a city, an art form, an industry, and a world.
Robert Burgoyne, Professor and Chair University (retired), St Andrews, UK

























