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The Phenomenology of Paint
Between Materiality and Illusion
The Phenomenology of Paint
Between Materiality and Illusion
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Description
Analyzing the different modes of appearance and application of the most ubiquitous medium in art and ritual, this book examines the aesthetics, anthropology, ethnography and history of paint. The result is a clearly articulated account of both the materiality and phenomenology of paint, as substance and idea.
Beginning with paint as ritual in prehistoric and ancient times, it discusses the provenance, politics and chemistry of pigments, the role of concealment and beautification as paint is applied to bodies, the stories and practices of hiding paint by artists, and efforts to isolate paint as an essential quantity, ending on the philosophical question as to whether paint is separable from colour.
A phenomenology of paint is in many respects an ontology of the ways we seek to represent and mediate our existence: it is the medium for both covering (house paint, make-up) to revealing (art). By exploring paint in a multitude of roles, from bodily substances to chemical engineering, this study provides a fresh understanding of ritual and representation through this medium that reveals through covering.
Table of Contents
1. Paint and Phenomenology
2. Body Fluids
3. Painted Bodies
4. Politics of Pigments
5. Serving Illusion
6. Isolating Colour
7. Virtual Paint
Conclusion
Bibliography
Index
Product details
| Published | 29 May 2025 |
|---|---|
| Format | Ebook (PDF) |
| Edition | 1st |
| Pages | 224 |
| ISBN | 9781350446922 |
| Imprint | Bloomsbury Academic |
| Illustrations | 25 bw illus |
| Series | Aesthetics and Contemporary Art |
| Publisher | Bloomsbury Publishing |
About the contributors
Reviews
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A ground-breaking, must-read exploration that redefines the power of paint. Spanning from ancient rituals to contemporary practices, Adam Geczy's polymathic study delves into paint – both as material and concept – offering profound reflections on its enduring vitality. This dazzling analysis examines the appearance and application of the most ubiquitous medium in art and ritual, exploring paint through its materiality, phenomenology, and cultural significance. Rich in original thought and scholarship, Geczy's seminal study is destined to become a classic, offering invaluable insights for anyone captivated by the medium that has accompanied humanity since the first marks were made.
SIMONE DOUGLAS, PROFESSOR OF PHOTOGRAPHY, PARSONS SCHOOL OF DESIGN, THE NEW SCHOOL, USA
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Painting has so far not been in the focus on philosophy, but this book shows that it should. A must-read for all philosophers of art and art theorists.
MAX RYYNANEN, PRINCIPAL LECTURER, AALTO UNIVERSITY, FINLAND
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