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Description

How can film and cinema help us think through ecological crises in religious and theological terms?

In this book, Brett David Potter pairs ecological insights from religious stories or rituals with an example from a recent film with the goal of bringing the ancient and modern into a generative conversation. Tracing religious and literary themes (such as the tree of life, the great flood, the barren desert, and the revenge of the creatures), Potter asserts that the use of religious metaphor, imagery, and allegory remain prevalent within climate cinema.

Accessibility Information

Additional accessibility information

  • PDF/UA-2, 1.4
  • accessibility@bloomsbury.com

Hazards

The publication contains no hazards

Support for non-visual reading

Has alternative text descriptions for images

Navigation

  • Page list to go to pages from the print source version
  • Elements such as headings, tables, etc for structured navigation
  • All or substantially all textual matter is arranged in a single logical reading order

Table of Contents

Introduction: The End of the World
1: The End is the Beginning
2: Back to the Garden
3: Film and Religious Ecologies
4: The Great Flood
5: Desert Places
6: Apocalypse
7: Revenge of the Creatures
8: The Ethics of the Creaturely
Conclusion: Hope

Product details

Published 12 Nov 2026
Format Ebook (PDF)
Edition 1st
Pages 176
ISBN 9798216265177
Imprint T&T Clark
Illustrations 5 bw illus
Series Theology, Religion, and Pop Culture
Publisher Bloomsbury Publishing

About the contributors

Author

Brett David Potter

Brett David Potter is Assistant Professor of Syste…

Author

Brett David Potter

Brett David Potter is Assistant Professor of Syste…

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