Contextualizing the Four Pillars of African Music
The Socio-Political and Cultural Practices of Musical Traditions
Contextualizing the Four Pillars of African Music
The Socio-Political and Cultural Practices of Musical Traditions
Buying pre-order items
Ebooks and Audiobook
You will receive an email with a download link for the ebook or audiobook on the publication date.
Payment
You will not be charged for pre-ordered books until they are available to be shipped. Pre-ordered ebooks will not be charged for until they are available for download.
Amending or cancelling your order
For orders that have not been shipped you can usually make changes to pre-orders up to 72 hours before the publishing date.
Payment for this pre-order will be taken when the item becomes available
- Delivery and returns info
-
Free UK delivery on orders £30 or over
Description
Exploring African music's global influence from traditional rituals to the rise of commercial music, the author examines how African music has both shaped and been shaped by global trends since the mid-20th century.
Through his expertise in African Music and Art Composition, Ntshengedzeni Evans Netshivhambe offers a comprehensive framework for understanding African music beyond the often-simplistic categorization of “traditional” and “modern.” By examining four pillars: traditional music and dance, indigenous instrument craftsmanship, popular and commercial music, and African art music, (developed in the 1980s), this book traces the development of African music by situating each pillar within socio-political and cultural contexts that have attributed to its evolution.
Drawing upon scholarly literature, archival materials, firsthand accounts, and case studies from various regions across the continent, this book not only offers a localized perspective that highlights African voices but also ensures a diverse representation of the African musical traditions and common practices shared between them. The book foregrounds African musical practices in their holistic richness, demonstrating how music serves as a vital connecting thread between African communities, their cultural identities, and the wider global village.
Table of Contents
Introduction
Part I.
1. The Role of Music in African Societies
2. Early Documentation and External Narratives of African Music
3. African Music and the Problem of Definition: Practice, Identity, and Heritage
Part II.
4. Indigenous African Instrument Specialists: A Pillar of Musical Knowledge and Tradition
5. Instruments Made by Human Hands
6. Evolution and Challenges in indigenous instrument Making and Performing
Part III.
7. Popular Music Pillar
8. Music as Resistance and Political Agency in African Popular Music
9.
Part IV.
10. From Music Literacy to Creative Musicology: Notation, African Art Music, and the Preservation of Musical Heritage
11. The Formation of African Art Music and the Emergence of Scholar-Composers
12.
Conclusion
References
Index
Product details
| Published | 08 Jul 2027 |
|---|---|
| Format | Hardback |
| Edition | 1st |
| Pages | 288 |
| ISBN | 9798216392835 |
| Imprint | Bloomsbury Academic |
| Illustrations | 20 b/w photos |
| Dimensions | 229 x 152 mm |
| Series | African Literature and the Arts: Across the Continent and Throughout the Diaspora |
| Publisher | Bloomsbury Publishing |

























