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Contextualizing the Four Pillars of African Music

The Socio-Political and Cultural Practices of Musical Traditions

Contextualizing the Four Pillars of African Music cover

Contextualizing the Four Pillars of African Music

The Socio-Political and Cultural Practices of Musical Traditions

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Pre-order. Available 08 Jul 2027
£81.00 RRP £90.00 Website price saving £9.00 (10%)

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Description

Exploring African music's global influence from traditional rituals to the rise of commercial music, the author examines how African music has both shaped and been shaped by global trends since the mid-20th century.

Through his expertise in African Music and Art Composition, Ntshengedzeni Evans Netshivhambe offers a comprehensive framework for understanding African music beyond the often-simplistic categorization of “traditional” and “modern.” By examining four pillars: traditional music and dance, indigenous instrument craftsmanship, popular and commercial music, and African art music, (developed in the 1980s), this book traces the development of African music by situating each pillar within socio-political and cultural contexts that have attributed to its evolution.

Drawing upon scholarly literature, archival materials, firsthand accounts, and case studies from various regions across the continent, this book not only offers a localized perspective that highlights African voices but also ensures a diverse representation of the African musical traditions and common practices shared between them. The book foregrounds African musical practices in their holistic richness, demonstrating how music serves as a vital connecting thread between African communities, their cultural identities, and the wider global village.

Table of Contents

Preface
Introduction
Part I.
1. The Role of Music in African Societies
2. Early Documentation and External Narratives of African Music
3. African Music and the Problem of Definition: Practice, Identity, and Heritage
Part II.
4. Indigenous African Instrument Specialists: A Pillar of Musical Knowledge and Tradition
5. Instruments Made by Human Hands
6. Evolution and Challenges in indigenous instrument Making and Performing
Part III.
7. Popular Music Pillar
8. Music as Resistance and Political Agency in African Popular Music
9.
Part IV.
10. From Music Literacy to Creative Musicology: Notation, African Art Music, and the Preservation of Musical Heritage
11. The Formation of African Art Music and the Emergence of Scholar-Composers
12.
Conclusion
References
Index

Product details

Bloomsbury Academic Test
Published 08 Jul 2027
Format Hardback
Edition 1st
Pages 288
ISBN 9798216392835
Imprint Bloomsbury Academic
Illustrations 20 b/w photos
Dimensions 229 x 152 mm
Series African Literature and the Arts: Across the Continent and Throughout the Diaspora
Publisher Bloomsbury Publishing

About the contributors

Author

Ntshengedzeni Evans Netshivhambe

Ntshengedzeni Evans Netshivhambe is Senior Lecture…

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