The Mahima cult, the latest blossoming of Advaita Vedanta (non-dualism), endorses a novel Shunya (the void) paradigm where the enjoyer and the enjoyed, the seer and the seen are merged in the non-dual, the Supreme Brahma. Inevitably, the meditation on 'shunyata' can lead one to - the Ana¯m (the nameless), Ana¯di (one without beginning), Alekha (the indescribable), Avyakta (the ineffable), and Niranjana (one who is everlasting). This Shunya is considered the Mahima- the prime urge of all creation. This volume explains the above-said esoteric wisdom in clear, concise, and concrete terms, taking the key from Bhima Bhoi's lyrical mellifluousness and eventually proving to be a reader's proud possession.

Shreya Bhattacharji, Central University of Jharkhand

To appreciate saint-poet Bhima Bhoi and the Mahima Cult (Dharma of Glory), the history of the 19th-century Indian sociocultural system, especially that of Odisha and its adjoining states, needs to be reconstructed. There is no trace of any text authored by the founder of the cult Mahima Swami; it is only the unlettered genius Bhima Bhoi, who produced innumerable prayers, hymns, and poetic recitals of profound philosophical import, which made him the legend, the poet-archivist, and historiographer of the Mahima Cult, India's most important living religious tradition. This volume asserts that Mahima Dharma is an autochthonous reform movement and a regional variation of the Indian Bhakti tradition and spiritual poetry.

Prakash C. Pattanaik, Central University of Odisha

The followers of the Mahima Cult inculcate self-denial and surrender to God as the sources of salvation; they do not aspire after mundane pleasure. They have no prescribed mode of worship except praise of God and prayer for His mercy. Besides this, they have books containing songs and dialogues, most of which are said to have been composed by Bhima Bhoi, a Kondh, who is said to have been born blind and endowed with sight/insight by the founder. This volume presents a comprehensive picture of the unorthodox sect and its interlocutor, Bhima Bhoi while capturing the sociocultural ramifications of late 19th and early 20th-century India, a rapidly changing scenario in human history.

Kusha Tiwari, Shyam Lal College, University of Delhi

Bhima Bhoi, the prime interlocutor of Mahima Dharma (The Religion of Glory), advocated devout devotion to Alekh, the all-pervasive, formless absolute. His meditative, mystical, and philosophical oeuvre rendered the worship of idols redundant, questioned the hierarchies of caste and kinship, and implored Alekh Brahma to descend upon the earth to dispel the darkness from the lives of the righteous, virtuous, and devoted followers. Inevitably, Mahima Dharma was “doubly subaltern” - it disengaged epistemologically from conventional Hinduism and detached its adherents from the authoritarian grip of the high and mighty within Indian society. Marked by deep human sympathy, his devotional verses developed a narrative of spontaneous rhetoric touching the lives of the poor, illiterate, and disadvantaged, facing countless challenges on a day-to-day basis. This volume rightly captures the nuances of Bhima’s poetry while communicating the distinct dimensions of the renegade faith of the Mahima Cult.

Madhab Chandra Mishra, Barbil College

With fifteen critical essays on Bhima Bhoi and Mahima cult, this volume explores Bhima Bhoi’s thoughts and writings replete with folk idioms and colloquial dialect that have a direct bearing on the growth of Mahima¯ Dharma in the late 19th century Odisha, India. Marked as a revolutionary religious movement that advocates one God and casteless society, Mahima¯ Dharma denounced the traditional brahminical rituals and practices which allegedly induced social injustice, religious bigotry, and caste discrimination. This volume upholds the nuances of Bhima Bhoi’s oeuvre and advocates that Mahima signifies devotion and surrender to the Supreme Reality, which is beyond all attributes. Typical in injunctions and affirmations, the renegade faith is more of an exclamation of ecstatic wonder than a rational enunciation.

Dwijen Sharma, North-Eastern Hill University