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Description
This rigorous yet accessible collection demystifies the principles of intermediality whilst examining its place in 21st century theatrical practice. Bringing together chapters and case studies from top thinkers in the field, this book clarifies the key theoretical ideas and practical impacts of intermediality while encouraging students to experiment with it in their own practical work. Offering an engaging insight into one of the most dominant trends in contemporary theatre, this is essential reading for students of theatre, performance and media studies.
Table of Contents
1. Theatre (and you) as medium and intermedium; Mark Crossley with contributions from LarsElleström
2. Twenty-First Century Intermediality; Andy Lavender
3. The Performer in Intermedial Theatre; Joanne Scott and Bruce Barton
4. Time in Intermedial Theatre; Joanne Scott
5. Technology and Intermedial Theatre; Rosemary Klich
6. The Audience in Intermedial Theatre; Gareth White
7. Practitioner Case Studies.
Product details
| Published | 10 May 2019 |
|---|---|
| Format | Hardback |
| Edition | 1st |
| Pages | 226 |
| ISBN | 9781137611581 |
| Imprint | Methuen Drama |
| Dimensions | Not specified |
| Publisher | Bloomsbury Publishing |
About the contributors
Reviews
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Written in a highly engaging and accessible manner, Crossley and his excellent contributors provide robust and multidimensional analytical frameworks alongside vivid descriptions of recent performance work. This work will be of use immediately in today's classrooms, rehearsal rooms, and libraries, and will be a guide for future experimentations in this performance genre for years to come.
Elise Morrison, Yale University, USA
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There are seismic changes going on in the way we both create and engage with theatre. This excellent collection of writings recognises and discusses these changes in an accessible and engaging manner.
Elizabeth Swift, University of Gloucestershire, UK

























