Karen Green offers hee a fascinating reconstruction of the interaction between two remarkable French women in the early fifteenth century that offers many insights in the interactions between literature, politics, and religion in a turbulent period.

Constant J. Mews, Monash University

Could Joan of Arc had been trained by Christine de Pizan? This question is the fundamental and provocative point of departure in this serious and diligent study by Karen Green, herself an established scholar of Christine de Pizan. Green highlights here Christine’s portrayals of female military heroism long before Joan’s birth which uncannily presage the later military feats of the Maid of Orléans. Could Joan of Arc have been trained by Christine de Pizan? Green examines the plausibility of a positive answer to this question in a balanced and well-documented manner which pierces through the centuries-long cult that has grown up around Joan. Green carefully assesses the surviving historical records which often provide at best sometimes scant answers for the questions which we, six centuries later, wish to raise. Whether Christine de Pizan directly and personally influenced Joan must be addressed by medievalists, and Green has skilfully put the case here for them to consider.

Earl Jeffrey Richards, University of Wuppertal

In this intriguing book, Karen Green argues that Joan of Arc was trained by Christine de Pizan for her role as savior of France. One of the most perplexing questions that arose in my research concerned how a peasant girl in a distant rural village came to the notice of the dauphin and how she succeeded in a mission when so many others had failed. Green offers intriguing new insights on a connection between Christine and Joan that provides a possible answer.

Larissa Juliet Taylor, Colby College

In this ingenious study, Karen Green offers a hypothesis to explain one of the most confounding elements of the Joan of Arc story: What was real the nature of the voices from whom she took her orders? Were they of divine origin? Or was Joan hallucinatory? Neither, Green argues. On the contrary, the voices issued from the genuine human beings who trained Joan in the military arts and prepared her arrival at Chinon. Green’s minutely detailed argument about who lay behind the Maid’s rise is both plausible and fascinating, pulling together a number of figures whose associations become increasingly clear and inevitable as the argument that Joan’s sudden appearance was no accident progresses. Drawing on decades of research, Green proposes an original and exciting narrative positing a close relationship between two of the period’s most beloved heroines.

Tracy Adams, Auckland University