Defiant Sounds
Heavy Metal Music in the Global South
Defiant Sounds
Heavy Metal Music in the Global South
Buying pre-order items
Ebooks and Audiobook
You will receive an email with a download link for the ebook or audiobook on the publication date.
Payment
You will not be charged for pre-ordered books until they are available to be shipped. Pre-ordered ebooks will not be charged for until they are available for download.
Amending or cancelling your order
For orders that have not been shipped you can usually make changes to pre-orders up to 72 hours before the publishing date.
Payment for this pre-order will be taken when the item becomes available
- Delivery and returns info
-
Free US delivery on orders $35 or over
Description
This book creates necessary dialogue within the world of heavy metal by bringing together multiple regions in the Global South.
Defiant Sounds: Heavy Metal Music in the Global South brings together authors working from and/or with the Global South to reflect on the roles of metal music throughout their respective regions. The essays position metal music at the epicenter of region-specific experiences of oppression marked by colonialism, ethnic extermination, political persecution, and war. More importantly, the authors stress how metal music is used throughout the Global South to face these oppressive experiences, foster hope, and promote an agenda that seeks to build a better world.
Table of Contents
Section I: Conceptualizing the Distorted South
1. Metal Music in the Distorted South (Nelson Varas-Díaz, Daniel Nevárez Araújo, Jeremy Wallach, and Esther Clinton)
Section II: Hope
2. An Exegesis of Excess (Susana González-Martínez)
3. Reclaiming Aotearoa (Didier Goossens)
4. “A Whole New Type of Isolation” (Anthony J. Thibodeau and Sage Bond)
Section III: Social Change
5. “We Play Heavy Metal Because Our Lives Are Heavy Metal” (Mark LeVine)
6. Youth Activism and Decolonial Metal (Paula Rowe)
7. Coloniality and Gender in the Argentinian Metal Scene (Manuela Belén Calvo)
Section IV: Dialogues
8. An Interview on Contar/Cantar Memórias da Resistência (Susane Hécate (Miasthenia) and Daniel Nevárez Araújo)
9. Misusing Things in Metal Music (Manuel Gagneux (Zeal & Ardor) and Daniel Nevárez Araújo)
10. The Alternative Side of the Frame (Kobi Farhi (Orphaned Land) and Nelson Varas-Díaz)
11. A Dialogue on Metal Festivals and Social Justice (Tshomarelo “Vulture” Mosaka (Overthrust) and Edward Banchs)
Section V: Diaspora
12. The Ultra-Violence (Kevin Fellezs)
13. “Somewhere They Belong” (Azmyl Yusof and Adil Johan)
Section VI: Transgression
14. Ancient, Evil, and African (Edward Banchs)
15. The Influence of Different Satanic Panics on the Transgressive Practices of Metal Music in Egypt, Iran, and Syria (Pasqualina Eckerstro¨m)
Section VII: Resistance and Community
16. Decolonizing the Mind's Eye (Nelson Varas-Díaz and Daniel Nevárez Araújo)
17. Nongkrong, Value of Community, and Everyday Resistance in the Indonesian Metal Scene (Oki Rahadianto Sutopo and Agustinus Aryo Lukisworo)
18: Satan Wasn't There (Amine Hamma and Brian Trott)
Epilogue
Index
About the Editors and Contributors
Product details
| Published | Jan 07 2027 |
|---|---|
| Format | Paperback |
| Edition | 1st |
| Pages | 432 |
| ISBN | 9781793651877 |
| Imprint | Lexington Books |
| Illustrations | 21 b/w photos |
| Dimensions | 9 x 6 inches |
| Series | Extreme Sounds Studies: Global Socio-Cultural Explorations |
| Publisher | Bloomsbury Publishing |
Reviews
ONLINE RESOURCES
Bloomsbury Collections
This book is available on Bloomsbury Collections where your library has access.
Related Titles
