Into the Wild:
Image by Dr. Derek Newman-Stille, Trent University, Canada.

How to Become a Werewolf:
Poem by Elizabeth Davis, Author, USA.

Introduction
Simon Bacon, Independent Scholar, Poland.

Part I: The Future in the Past

1) Symbiotic Werewolves and Cybernetic Anchoresses: Premodern Posthumans in Medieval Literature
Dr. Jennifer K. Cox, Idaho State University, USA.

2) “Not a Wolf, but his Wife”: The Influence of Medieval Lycanthropy on Victorian Monstrosity
Alex Carabine, Liverpool University, UK.

3) Moonstruck: Werewolves and Moonlight from Scroll to Screen
India Stronach, Sorbonne Nouvelle University, France

4)From Loner to Homemaker: The Domestication of the Werewolf in the Horror Genre
Prof. Shannon Scott, University of St. Thomas, USA.

Part II: Challenging the Traditional

5)“Our thirst for blood satiates us”: Werewolves in Bloodborne
Dr. Dawn Stobbart, Independent Scholar, UK.

6)“Hunting in Packs: Examining Werewolf Clusters on Screen
Dr. Lauren Rosewarne, University of Melbourne, Australia.

7) A Multicultural Werewolf in India: Reading Indrapramit Das's The Devourers Through a Multiculturalist Lens
Dr. Debaditya Mukhopadhyay, Manikchak College, India.

8) Reimagining the Rogarou: Cherie Dimaline's Empire of Wild as Indigenous Ecohorror
Dr. Jennifer Schell, University of Alaska Fairbanks, USA.

Part III: Teenaged Futures

9) “But where the wolf seeks a pack, the Kanima seeks a friend...Maybe it's lonely? Like a teenager”: Examining the representation of the teenage body in MTV's Teen Wolf (2011-17).
Dr. Blair Speakman, Independent Scholar, New Zealand.

10) “And the Wolf behowls the Moon”; Mushrooms, the Urban Gothic and Lycanthropy in Kristopher Reisz's Unleashed
Dr. Carys Crossen, Independent Scholar, UK.

11) Virtual Werewolfery: Surveillance Bites in Loups-Garous(2010) by Natsuhiko Kyogoku
Dr. Martyn James Colebrook, Independent Scholar, UK

Part IV: Lycanthropic Sexuality

12) “Punish All Those That Would Pollute, Destroy, and Corrupt our Mother Earth”: Environmental Protection as Justification for Masculine Power Fantasies in Werewolf: The Apocalypse - Earthblood
Dr. Connor Jackson, Edgehill University, UK, and Dr. Catherine Pugh, Independent Scholar, UK.

13) “You're just a woman”: Female Werewolves and their Meaning Beyond Female Sexuality
Bruna Folleto Lucas, Kingston University, UK.

14) The Fresh Prince of Baked Goods: Josh Hoberman's Queer Futuristic Relationshipping
Kai D'Argenta, Author and Independent Scholar, Wales.

Part V: Not of this World

15) “Half lycan, half vampire, but stronger than both”: Vampire-Lycan Hybridity in the Underworld Franchise
Hannah Hansen, Massey University, New Zealand.

16) Because That's Where They're From: Moonbane as Lunar Gothic
Prof. Kevin J. Wetmore, Jr., Loyola Marymount University, USA.

17) Dragon Ball Z: Reimagining Mutant Werewolves in an Age of Invasions via Spaceships
Stephanie Farnsworth, University of Sunderland, UK.

Part VI: Hybrid Futures

18) The Technological Werewolf: Military Metaphors of Technological Dog-men in Speculative Fiction
Lucy Neld, University of Liverpool, UK.

19) Hybrid Genres, Hybrid Creatures: Stephen Graham Jones' Mongrel (2016) and Werewolf (Anti)Heroes
Dr. Kaja Franck, University of Hertfordshire, UK.

20) “There is no future in your form:” The Anti Werewolf and African Mythology in Marlon James's Black Leopard, Red Wolf
Nikta Sadati, Queens University, Canada.

21) Designed for the Future: Dog-men, Wolf-men and Symbiotic Tomorrows
Dr. Valerie Frankel, San José City College, USA.

Bibliography
Index