The desperate plight of Syria's two million refugees is searingly and sensitively communicated in this one-woman show . . .

Independent

Nizar Zuabi's script is poetic in its descriptions . . . and occasionally we are jolted into the violent reality of what is happening.

Time Out London

. . . extraordinary piece . . . the writing acquires a literary self-consciousness . . . As so often, the theatre shows its capacity to take an event that is constantly in the headlines and give it a recognisable human face.

Guardian

Truth and fiction intermingle in . . . Amir Nizar Zuabi's text . . . Zuabi's poetic text makes them [the stories] as fragrant as the food . . . It's a cri de coeur, not a call to arms.

Daily Telegraph

Zuabi writes with spare poeticism . . .

Sunday Times

The writing offsets brutality with tenderness and flashes of humour . . . the narrative is vivid. Scenes of ordinary domesticity collide with horrific violence, and life hinges on the absurdities of chance, amid a riot of images . . . This, in the end, is the plays achievement: to thrust before our eyes a clutch of unforgettable snapshots from the bloody heart of devastation.

The Times