Seals and the Culture of Sealing in Medieval England
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Description
This book provides a highly illustrated exploration of late medieval English society and culture through the prism of seals and sealing practices.
Drawing on over twenty years work and a range of historical and scientific methodologies, Seals and the Culture of Sealing in Medieval England explores the ways in which men and women, especially from the under-investigated middling and lower levels of society, used seals as a means of identification and representation, and investigates sealing practices in relation to social, cultural, and legal interactions and exchange. The book also considers agency, performance, technology, and trade, as revealed through the matrices and the wax mixture into which seals were impressed, and the places in which the act of sealing was carried out.
As Elizabeth A. New explains, seals in medieval England acted in a similar way to modern signatures, credit cards, and logos, and were as familiar a part of everyday life as these things are to us. Yet seals conveyed far more than signing your name or wearing a designer brand, with these dense little packages of image and text identifying and representing individuals from royalty to peasants, as well as offices and institutions. New convincingly argues that seals conveyed carefully constructed messages about power, status, occupation, family, humour, piety, and connections from the very local to the international, and that these small but powerful objects can provide us with fresh perspectives on medieval society as a whole.
Table of Contents
List of illustrations
Acknowledgements
Preface
Introduction
Part I: Identity
1. Motives for Motifs: the imagery of seals
I. An overview of motifs
II. Motifs: form and meaning
III. Alike or different? Motifs on matrices with the same owner
2. The Language of seals
I. Legend forms: names and anonymous text
II. The symbiosis (or otherwise) of image and text
III. Text as image
IV. The languages used for seal legends
V. Seals, popular culture, and oral and written traditions
Part 2: Interaction
3. Making an Impression: the use of seals
I. Seals and sealing from the ancient world to the mid eleventh century
II. The development of a sealing society in the twelfth and early thirteenth century
III. Seals and sealing as a social fulcrum
IV. 'My seal'. Borrowing and inheriting matrices
V. The use of more than one seal
VI. Non-documentary sealing
4. 'He could not deny his seal'. Seals in law, administration, and the economy
I. Seals in royal governance and local administration
II. Seals in ecclesiastical administration
III. Problematic sealing and the misuse of seals
IV. Theft and forgery
Part 3: Exchange
5. 'The medium is the message'. The materiality of seals
I. Seal matrices
II. Seal impressions
III. The decommissioning of seals
6. Seals beyond sealing
I. Seals in, on, and as other objects
II. Cloth seals: sealing of a different kind?
III. From theology to satire: seals in medieval thought, literature and popular culture
IV. Images of seals and seals as image
V. Seals as history: antiquarianism and the emergence of modern scholarship
Conclusion
Bibliography
Index
Product details
| Published | Feb 18 2027 |
|---|---|
| Format | Hardback |
| Edition | 1st |
| Pages | 304 |
| ISBN | 9781350580824 |
| Imprint | Bloomsbury Academic |
| Illustrations | 100 colour illus |
| Dimensions | 9 x 6 inches |
| Publisher | Bloomsbury Publishing |
























