This is an exceptional book, beautifully written, and infused with deep spirituality and academic rigor. Alan West-Durán offers a comprehensive exploration of Afro-Cuban religions like Ocha, Palo, and Abakuá through the lenses of music, art, and film. He masterfully discusses how popular genres such as son, salsa, and rap reflect Afro-Cuban spirituality, analyzing songs that highlight faith, rituals, and cultural pride. Subsequent chapters study the work of distinguished artists like Omar Sosa, whose music brilliantly blends Afro-Cuban and global influences, and María Magdalena Campos-Pons, whose art powerfully engages with identity and orisha spirituality. Through insightful analyses of films by Fernando Pérez and artwork by José Bedia, the book skillfully examines representations of orisha archetypes and Cuban spiritual practices. It culminates with an insightful discussion of the Haitian Revolution and Vodou, offering a deep understanding of their lasting impact on both Haitian and Cuban cultural identity and social change. Afro-Cuban Religions and the Arts is an outstanding and illuminating work.

Luis Duno-Gottberg, Rice University

Alan West-Durán has expertly weaved together an insightful interpretation of numerous African-inflected cultural practices in Cuba, including literary texts, musical compositions, the visual arts, and films. His analysis eloquently demonstrates how myth and history of African origin permeate Cuban culture, both popular and elite, especially through the influence of the three major Afro-Cuban religions: Regla de Ocha, Palo, and Abakuá.

Jorge Duany, director and professor, Cuban Research Institute, Florida International University