This fascinating anthology uncovers history that has escaped the grip of institutional archives. The authors offer an archaeology of varied artistic and craft practices as an alternative vision of Hyderabad and the Deccan, post-independence.
There is not just one Hyderabad. The authors unveil the Deccani multiplicity by drawing on minority histories to resist the dominance of a singular narrative. The recognition of deep involvement of communities in shaping the many-layered facets of cities serves as an important methodological invitation to all researchers. This 'contextual conversation' offers an exchange between dominant and subaltern historical accounts.
The book thus provides the groundwork for a rediscovery of cities by focusing on the interactive and intersected material and artistic practices-a must-read for all students of crafts, arts, heritage and cities.

Professor Wiebe E. Bijker, Maastricht University, The Netherlands

In this thought provoking volume, a new generation of scholars asks new questions using innovative sources and methodologies to explore the visual and material culture of the Deccan's storied past. A much too storied past. Peeling back layers of colonial narrative and received wisdoms, the nine chapters compel us to consider unacknowledged and understudied Decanni multiplicities, going beyond the archive to bring forth the voices, intentionalities and movements of marginalised artisans and communities, from vernacular Islamic architecture, to Dravida temple painters, to influential 21st century weavers. A model for knowledge producers everywhere seeking alternative ways to envision the historical past.

Sarah Fee Ph.D., Senior Curator, Global Fashion & Textiles, Royal Ontario Museum, Toronto, Associate Professor (status only), Dept. of Art History University of Toronto