Hank Willenbrink is a scholar/artist. His monograph, Performing for the Don: Theatres of Faith in the Trump Era (Routledge), explores religious performances in support of Donald Trump. Hank’s play The Boat in the Tiger Suit premiered at The Brick Theater (NYC) and is published by Original Works Publishing. His essays have been published in Ecumenica, Theatre Journal, and Contemporary Theatre Review, where he wrote about At the Vanishing Point. He holds degrees from the University of Tulsa and University of California, Santa Barbara, where he was Naomi’s student. Hank is the editor-in-chief of Ecumenica: Performance and Religion and a Professor in the School of Performing Arts the University of Central Florida.