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Description
* A Barnes & Noble Best History Book of 2026 *
“Puhak lay[s] out how received wisdom has been warped over the centuries by exaggerations, shoddy scholarship and outright fabrications. . . A skillful guide through the thicket of political turmoil, weaponized accusations and palace intrigues.” -Jennifer Szalai, The New York Times
In the foothills of the Little Carpathian mountains lie many threats: yellow-eyed wolves prowling the dark woods, brigands waiting in copses of birch. But there is no threat so great as what waits inside the old manor house . . .
This is the legend of Elizabeth Bathory. And nearly none of it is true.
Elizabeth Bathory has long been remembered as the murderess of more than 600 young servant girls, a monster who held her victims in a torture chamber deep within her castle and bathed in their virgin blood to preserve her own youth. If Bathory really was so depraved, she would be the most prolific female serial killer in history. And if she wasn't- then, she herself has been the victim of a misogynistic, centuries-long disinformation campaign.
Born into a family of nobility and privilege, Bathory's influence grew to encompass land spanning five hundred miles through Royal Hungary, Transylvania, and the Ottoman Empire, with the well-being of thousands of serfs at her whim. As a powerful woman with no living male relatives, suspicion, rumors, and violent ire began to stir. Shelley Puhak now turns an expert eye to the archival record, capturing the downfall of history's most dangerous woman, and the tumultuous historical moment at which she met her demise. Puhak gives Bathory the trial she never received in life, revisiting and uncovering evidence that could liberate the famed Blood Countess.
Product details
| Published | Feb 16 2027 |
|---|---|
| Format | Paperback |
| Edition | 1st |
| Pages | 304 |
| ISBN | 9798260201985 |
| Imprint | Bloomsbury Publishing |
| Illustrations | b&w images and maps throughout, 8pg color insert |
| Dimensions | 210 x 140 mm |
| Publisher | Bloomsbury Publishing |
About the contributors
Reviews
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Puhak draws from archival research to lay out how received wisdom has been warped over the centuries by exaggerations, shoddy scholarship and outright fabrications. Her book takes the tale of one woman and turns it into a portrait of an era . . . Puhak is a skillful guide through the thicket of political turmoil, weaponized accusations and palace intrigues. . . The legend is sordid, grisly and above all memorable.
Jennifer Szalai, The New York Times
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A feminist debunking of the myth of a monstrous Renaissance noblewoman . . . Through close reading of Bathory's many letters and various contemporary accounts, poet and writer Puhak uncovers a thoroughly pre-modern Renaissance woman, well bred and well read, from a distinguished ancient family . . . Admirably clear-eyed history related in crystalline prose.
Kirkus Reviews, starred review
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This striking account from poet and historian Puhak separates the true story of Hungarian noblewoman Elizabeth Bathory from her blood-soaked mythology . . . It's a stunning feminist reconsideration of one of history's most reviled villainesses.
Publishers Weekly, starred review
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Revelatory . . . Puhak's level-headed analysis of the evidence, grounded in historical context, exposes the tragic ease with which a powerful woman may be attacked through innuendo and misinformation. Given the fame of the Blood Countess Bathory, this should be a popular acquisition.
Library Journal, starred review
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Puhak sifts through the confusing, often contradictory historical record to present what could be the most complete, most accurate portrait of Bathory we've ever seen. The research is impeccable, and the writing is richly textured (the author is an accomplished poet), and, most important, the author's empathy shines through. This is no remote historical figure she's writing about, this is a living, breathing woman who was not who we thought she was. A splendid exploration of one of history's most enduring enigmas.
Booklist
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If not for this book, the actual story behind Bathory's status as a stock vampiric character could have continued collecting dust in the archives . . . The Blood Countess goes a long way in reminding readers of the historical relevance and narrative power of misogyny . . . a strong, well-researched corrective to a story that is about the type of power-hungry, deadly scheming best left in the annals of history.
Foreign Policy
























