A Critical Companion to Wes Craven
Description
In A Critical Companion to Wes Craven, contributors use a variety of theoretical frameworks to analyze distinct areas of Craven’s work, including ecology, auteurism, philosophy, queer studies, and trauma. This book covers both the successes and failures contained in Craven’s extensive filmography, ultimately revealing a variegated portrait of his career. Scholars of film studies, horror, and ecology will find this book particularly interesting.
Accessibility Information
Additional accessibility information
- EPUB 3.0
- Conforms with the requirements of EPUB Accessibility Spec v1.1
- WCAG level AA
- WCAG v2.2 compliant
- accessibility@bloomsbury.com
Hazards
The publication contains no hazards
Support for non-visual reading
- No accessibility features offered by the reading system, device or reading software are disabled or otherwise unusable with the product
- Has alternative text descriptions for images
Visual adjustments
Appearance of the text and page layout can be modified according to the capabilities of the reading system (font family and size, spaces, as well as color of background and text)
Navigation
- Page list to go to pages from the print source version
- Elements such as headings, tables, etc for structured navigation
- All or substantially all textual matter is arranged in a single logical reading order
- Content is enhanced with ARIA roles to optimize organization and facilitate navigation
- Purposes of all links are made clear
Rich content
Language tagging provided
Table of Contents
Introduction. Fernando Gabriel Pagnoni and John Darowski
Part I: Space, Time, Urbanities
1. “Destabilizing Safety: Space, Place, and Risk in Craven's Last House on the Left, A Nightmare on Elm Street, and Red Eye.” Jacob Babb
2. ““What If?” The Unrealized in Wes Craven's The Twilight Zone (1985) and Nightmare Cafe.” Emiliano Aguilar
3. “Ruined Landscapes, the EcoGothic and Eco-Horror in the Early Films of Wes Craven: Last House on the Left, The Hills Have Eyes, Deadly Blessing, Swamp Thing, The Hills Have Eyes II.” Michael Stock
4. “Nowhere Is Safe: Suburban Terror in A Nightmare on Elm Street, Shocker and Scream.” Daniel P. Compora
Part II: Traumatic Aspects
5. “Teenage alienation and Fractured Identities: Re-evaluating Wes Craven's My Soul to Take.” Reece Goodall
6. “Wes Craven and BIPOC Horror: Contrasting The People Under the Stairs with The Possession of Joel Delaney.” Joshua W. Katz, Taksala Abeygunawardena, Natalie O'Reilly, Brenan R.R. Smith and Todd G. Morrison
7. “
Product details
| Published | Aug 08 2023 |
|---|---|
| Format | Ebook (Epub & Mobi) |
| Edition | 1st |
| Pages | 320 |
| ISBN | 9781666919073 |
| Imprint | Lexington Books |
| Series | Critical Perspectives on Contemporary Directors |
| Publisher | Bloomsbury Publishing |
Reviews
ONLINE RESOURCES
Bloomsbury Collections
This book is available on Bloomsbury Collections where your library has access.

























