In this strikingly original book, Joe Balay discovers new possibilities for us to understand the current environmental crisis. Focusing on Guido van Helten’s No Exit murals in Reykjavik, Iceland, Sarte’s celebrated play of the same name, and a range of Sartre’s writings, Balay examines what he calls the ‘environmental gaze.’ The result is not only a trenchant analysis of the ‘ocularcentric anthropocentrism’ that belongs to Eurocentrism, but also a prescient reimagining of le regard in the context of our new ecological reality. Clearly written and well argued, this book brings into relief the significance of Sartre and the legacy of his thought for our times.

Theodore George, Texas A&M University

A work of honest reflection, a rigorous imagination, and serious scholarship, Balay has made genuine contributions to the study of Sartre, but—and in this one finds the heart of its originality—also to questions of art, perception, nature, and care for the environment. A pleasure to read, this book opens one’s eyes.

Dennis J. Schmidt, Western Sydney University

This is an invigorating and inspiring introduction to the Australian street artist, Guido van Helten, and his haunting murals in Reykjavik. 'Gazing' at the sea, the land, and its inhabitants and visitors, these evocative images are derived from a 1961 Icelandic performance of Sartre’s No Exit. Balay deftly explores the work of Sartre and his contemporaries in the context of these remarkable and now damaged works.

Jason M. Wirth, Seattle University