Foreword
Introduction – by the editors
Section One: Haunting Documents
1. “His Melancholy Decease”: the haunted archive and its fictional afterlives in a meandering history of Peel Park, Salford. Ursula Hurley, University of Salford.
2. Echoing through the Archive: Poetry as Archival Intervention. Chloe Hanks, York St John University
3. Co-authoring with forgotten voices: remix-writing as a methodology to reimagine lost lives. Clare Harvey, Coventry University.
4. The Norgesian Mind Manifold Memories Await Us. Kirsten Norrie, Independent Writer.

Section Two: Haunting Places
5. At the Threshold: the uncanny meeting point of family history and the short story. Helen Pleasance York St John University.
6. Haunting Lives: Spectres in the Shadows. Emma Kirby, Cardiff University.
7. Between the Chain Links: Geopoetic Expression as Crossing-Point. R.L. Francis, University of Wolverhampton.
8. Iter II. Anthony Cartwright University of the West of England.

Section Three: Haunting Others
9. My Vanishing Twin and The Mirrored Reality that Sings: Ghosts of Those Who Never Came to Be. Anayis N. Der Hakopian, Independent Writer.
10. The Pretenders: Phantoms and Intergenerational Trauma. Francesca Liauw, Independent Writer.
11. Bringing the Dead Back to Life: the challenges of authenticity in creative nonfiction Toby Norways, University of Bedfordshire.
12. Method Writing: a performative approach to blend fiction and nonfiction in a roman-à-clef. Keren Poliah, University of Salford.

Section Four: Haunting Selves
13. The Double as Other: The Ethics of Autofictional Self-Encounters. Natasha Bell, Goldsmiths University.
14. Haunted Bodies in Breast Cancer Autopathography: Blue Breast. Michelle Ryan, Université d'Angers.
15. Haunting Motherhood: Autotheory as borderless writing. Lynley Edmeades University of Otago.
16. Joshua in the Sky: writing in the borderland. Rodge Glass, University of Strathclyde.
17. Narrative Aporias and Lost Futures. Robert Edgar, York St John University
Bibliography
Index