Over 1,000 years before Milton put classical epic to work to ‘assert eternal Providence and justify the ways of God to Man’ in Paradise Lost, there was Eudocia, who in retelling the Christian story of salvation with lines from Homer’s Iliad and Odyssey composed a theological poem of unusual communicative power. This is a woman—an empress, no less—who, as Karl Olav Sandnes puts it, insists on being heard, at a time of charged theological debate dominated by men. Sandnes presents Eudocia’s poem as an original, even idiosyncratic, interpretation of the Gospels that weaves together Christian and pre-Christian strands of tradition into one rich tapestry.

M. D. Usher, The University of Vermont

This is a careful study of Eudocia’s representation of Jesus as a Homeric hero in her Homerocentones—a very fine investigation into the work of an ancient, refined female author against the backdrop of Biblical passages silencing women, which Eudocia turns upside down. This intriguing research delves into one of the many ways in which classical culture and Christianity intersected in late antiquity in amazingly productive ways.

Ilaria L.E. Ramelli, Durham University and University of Cambridge

Was Eudocia, the daughter of a sophist and wife of Theodosius II, pagan or Christian? Was she Nestorius' supporter or a miaphysite? Was she a powerful court lady or a repudiated wife? The famous empress and poet is an unknown figure to the wider public and her life and work are full of contradictions. The so-called Homeric Centos -- a poem composed with verbatim Homeric lines -- is similarly a poem of incongruities. Is it Homeric or Biblical poetry? A school exercise, an imitation, or an emulation of The Poet? A pagan prank void of theological agenda? Finally, is it a work by a woman or a collage of various male editors? Scholars can and did give different answers. Where Karl Olav Sandnes succeeds is in going beyond the contradictions by providing a holistic reading of Eudocia's Homeric Centos. By reading the Homeric Centos as a Gospel Harmony, the author challenges the reader to understand the poem as a congruent meeting ground not only of classical traditions but also of scholarly methodologies. Balancing between the Homeric material and the theological context he gives an insightful reading of the poem and highlights its debt to the Old and the New Testament as well as Homer. He thus makes accessible to a wider audience a work that is usually placed in the margins of the canon, both for classicists and theologians, and shows the harmonious entanglement of classical paideia and Christian exegesis. This book will be of interest to scholars of Antiquity and Early Christianity alike. It is an excellent introduction and an astute reading of the multifaceted relationship between classical culture and Christianity in the fifth century CE and brilliantly shows the possibilities of a harmonious cohabitation.

Anna Lefteratou, University of Cambridge