Albert Lamorisse's The Red Balloon (1956) follows five-year-old Pascal, who lives in the working-­class district of Ménilmontant in Paris and discovers a red balloon that becomes his companion and loyal friend until a gang of bullies destroys it. In a surprise ending, Pascal is saved when all of Paris's balloons band together to carry him away into the sky. Made on a modest budget and running just 34 minutes, the film has remained in circulation for nearly seventy years and is widely regarded as one of the defining works of short-form cinema.

In her study of the film, Cynthia Felando examines how Lamorisse creates meaning through image, movement, and colour, rather than dialogue. She places the film within the context of post-war French cinema, exploring Lamorisse's use of location shooting, small-scale production methods and non-professional performers. She also considers the place of the short film in mid-century film culture, when shorts were commonly screened alongside feature films.

Felando reads The Red Balloon as a film open to different interpretations. It can be approached as a children's film, a story about friendship and loss, a portrait of post-war Paris, or a work that sits between realism and fantasy. By tracing these possibilities, she shows why the film continues to attract audiences and invites a broader consideration of the short film as a distinctive cinematic form.